People seemed to like the first dissection so why not write more? I couldn’t figure out an answer for that question not involving any worm holes and time traveling so I suppose I’m mandated to write another one. If you’re interested in the idea behind the series, go and read the preface to the first dissection although I think it’s safer that I repeat the disclaimer that these are the methods and ideas I happen to work with and these writings are not intended to be technical manuals on how to do stuff. Instead, think of these more like an in-depth “making of” documentary that you might watch solely for its entertainment purpose but where you still might discover something useful. There’s a some sort of primitive fascination in discovering how things are made. Some of the methodology I use I have learned from others and some I have discovered by myself. I believe that all experienced photographers have followed a similar path so pick the stuff that plays with your strengths or eliminates your weaknesses.
I believe I may have skimmed over the appeal of black & white photography a little bit too hastily in the first article. To expand on the topic, I chose this photo because I think it’ll illustrate my some of my points pretty nicely and in addition I can talk about composition some more:
It is a photo I took in 2006 in New York. The place is Central Park at the Great Lawn, facing south towards downtown. So let’s go and pick the picture apart!